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We are faced with the fact my friends the tomorrow is today. Procrastination is still the thief of time. Over the bleached bones and jumbled residues of numerous civilizations are written the pathetic words, "too late". There's no gain without struggle but if you're willing to try to draw Dr. King, i'll make sure that you have a good chance of succeeding. But dont just watch this video, participate; because no work is insignificant all labor that uplifts humanity has dignity and importance and should be undertaken with painstaking excellence that excellence is not the end result for the finished work is the growth that is sustained through your effort. If you have a dream and the motivation to improve your drawing abilities, here's your blueprint to success- hit the link video description right now then reopen this video on my webpage. As you scroll down, you will see photo and text resources to accompany this video. The combination of the step-by-step instructions in this video and the text and print resources will give you a great chance to succeed. If you're up to the challenge, let's begin.
Step 1: In step one we are going to make shapes which will eventually become the eye. Both shapes look like a skinny pac man eating an almond. Be sure to notice that there is a slight difference between the two shapes. Use your observation skills because each shape is not symmetrical. Here is a close up.
Step 2: Draw in the pupil and iris. Notice that you can see the bottom of the circle for the pupil and iris but not the top.
Step 3: Draw in the nose shape and the extra shapes for the shadows around it. The height of this shape should be about one third the height of the pac man shapes from step one. The width should be exactly as wide as the pac man/eye shape on your left. Notice that the nose shape does not attach to the eye shape.
Step 4: Add the quadruple shape that you see. The top shape will be Dr. King's moustache which looks like a flattened M shape. The second shape from the top will be a highlight between the moustache and the top lip. The third shape resembles a lightning bolt and will be the top lip. The fourth shape is the bottom lip. Notice that it is bowl shaped and slightly thicker than the top lip.
Step 5: Add the shape of the forehead. This shape is about twice as tall as the pac man shape for the eye to the left.
Step 6: Dont freak out! Calm down! Add the shape for the outline of the head and hair. Focus on the edge of the head. The lines for the shadow on the face DO NOT have to be perfect but the outside has to be close. I repeat, focus your efforts on the outline of the head.
Step 7: Add the ear shape and the outline for the rest of the face.
Step 8: Add the shape for the clothing. It is going to be in heavy shadow so just go for the general shape and dont stress out if its not perfect.
Step 9: Complete the clothing. Again, it will be in heavy shadow so dont become a perfectionist for this step.
Step 10: Fix the ear and the hairline.
I am going to be using illustration markers, color pencils and oil paint. Just drop me a line if you have any questions
In step 1 I scanned and reprinted my original drawing- I do this for 2 reasons- 1.) If I mess up, I could just reprint it and 2.) marker and color pencil coexist better with printer ink than with graphite from a pencil.
Next I add a layer of the illustration markers. These markers are totally transparent and they enable me to add a layer of color and still be able to see the lines from my pencil drawing. These markers give the artist a similar effect to watercolor paint, but without the messy setup and clean up.. I am still following the Polaroid picture development analogy from the first video- in that I am adding color to all areas at an even pace and slowly building up the darker tones on the sides and bottom of the glass.
The color pencil is great at this point of the drawing, because it adds a translucent layer of color above the marker. In addition to that, color pencils are mixed with wax. The wax will be very handy in the next step when I add oil paint on top of the marker and color pencil. Working with color pencil also allows me to be very precise with my marks on the page. It can be very challenging to be as accurate with a paint brush. This step allows me to make my drawing more accurate and these clarifications will eventually be absorbed by the oil paint.
Now you are going to see me add three layers of oil paint to finish my drawing. I am using oil paint because I want to edit the colors of this composition and it is much easier to mix and match color with oil paint than it is with color pencil. It is also easier to apply large areas of color with a paintbrush rather than the tiny tip of a pencil. I did all of my editing in the last step and now I am just applying color, trying to notice the nuances of the edges of each shape on my reference. If I need to soften an edge I use a dry, soft brush and I pull the paint with that. The color pencil from the layer below is blending nicely with the paint.
What happens when the faces of art icons Bob Ross, Pablo Picasso and Chuck Close are morphed together. Watch the video to find out. Tradigital artwork by Merrill Kazanjian http://merrillk.com . I used Paint Shop Pro 8, Photoshop CS3, a printer, color pencils and oil paint to make this artwork.
Hint number 1 is to see things as shapes. I like to analogize drawing with assembling a jigsaw puzzle because in both you look for shapes to fit together Hint number 2 is to pay close attention to the edges of what you are drawing. Light and shadows can do funny things and in almost anything that you draw you will see a disparity between the qualities of each edge. Hint number three is to develop your drawing like a Polaroid photograph. Polaroid was the company that innovated instant photography. After pushing the shutter button the photograph would come out of the camera and develop before your eyes. What I want you to know about this is that every part of the photo would develop at the same rate and that is how I want you to try to draw next time. In other words, move the drawing tool around, dont get stuck in a favorite spot. Alright, lets slow it down. What you are seeing me do here is pay close attention to the form and the proportions. In other words, I am comparing the sizes of the different shapes and making sure that the placement of each line is correct. I am using vine charcoal a HB pencil and an eraser. I started out with the vine charcoal because it is easy to erase and move around. You will see later in this video that after I am satisfied with the placement of the charcoal, I will hatch over it with a pencil to keep it undisturbed. I am also trying to be aware of the edges of my shapes and I am especially cognizant of the highlight on the top because that will require me shading the areas around it and using the white of the page as a representation of the strong light. Now when I look back at my reference, I notice that the tone of the background is much darker than the white of the page. I use the side of the charcoal to darken the mid tone of my drawing. This step will make it easy to draw in the highlights with an eraser a little bit later. Now I am folding a piece of paper towel to smudge in the charcoal. You will get a very similar result with a blending stump (also known as a tortillion) but the towel will smudge the charcoal more quickly. To be perfectly honest, many teachers that I have had have told me not to use a blending stump, fingers or anything that comes in to contact with the surface of the paper. I partially agree. Oil from fingers when combined with pencil or charcoal leaves a stain that is tough to work around. Notice that my hand is resting on a sheet of paper. Artists call these slip sheets, but it is just a sheet of computer paper. I like working with the blending stump and the paper and this process works for my needs. It would be dishonest if I changed my process for the sake of making a video. Before, I mentioned the term hatching. Hatching is the short name for the drawing technique of cross hatching. It is simply putting a series of lines next to one another with a drawing tool. These lines usually follow the shape of the object that is being drawn. Once I am done adding pencil marks, I take the blending stub to burnish over my hatch marks. This gives my drawing a more smudged look and possibly my former art teachers a heart attack. I like to smudge the pencil and charcoal because it also gives me a surface that is smooth in tone. Hatching can be layered and I usually stop using the blending stump after the second layer. I once did ten layers of hatching in a pencil drawing. Lets recap and take this to the end of part 1. My focus, over the course of any drawing that I do from observation, is to see a simple pattern of shapes on my reference and to accurately render these shapes, on to the piece of paper that I am drawing. After I get the shapes aligned correctly, I attempt to build up tones with charcoal and pencil. When I am building the tones, I am very aware of the nuances of the edges of each shape, because they are usually different. My focus is also on building the tones of my drawing in a similar manner to how a Polaroid photograph develops.
In part 2, I will teach you a way to add color to any pencil drawing. Thanks for watching the video and please let me know if this helped.
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Today, you are going to learn how to draw a 250,000 dollar sports car that goes 0-60 faster than Fred Flintstone on Red Bull.......Wait a second....it has power windows....make that 260,000 dollars. All you have to do is follow my step my step instructions and watch the shading tutorial and youll be able to draw the Lamborghini Gallardo. Lets get started/
Step 1: Draw the three trapezoids that you see. Take extra time to observe their placement. Due to the rules of perspective the large trapezoid at the top is rounded at its top.
Step 2: Dont Freak out! Look closely, all I added was a half circle with other shapes inside. Notice that the half circle is slightly smaller than the large trapezoid shape from step 1.
Step 3: Now here is the hard one! First, notice that I closed the shape on the right side. Second, notice that I added a rectangular shape directly below the smaller trapezoids from step one. Take time to notice the placement of the shapes within the rectangle. Finally, notice the horseshoe shape in between and below the shapes added from steps 1 and 2.
Step 4: Add the front tires and the fancy thingey on the door. If you made it through step 3, step 4 will be a breeze.
Step 5: Complete the back end of the car from observation. Take some extra time to notice the details of the rims and wheels.
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Face Proportions For Portrait Drawing- Formula Hey welcome back everybody....Its Merrill, I recommend that you watch part 1 before you see part 2. Just click on the image if you havent seen part 1 yet.
This is a very important video for anyone who wants to learn portraiture. In this video, I will model the formula taught in part 1 to teach you how to draw a face from your memory. In order to make things easy to remember, I will demonstrate my process step by step. People who memorize these steps will be able to draw a human face from memory without a reference image. Lets get started.
Step 1: Draw an oval. Next put a horizontal line through the oval, slightly higher than the half way point. Then add four evenly spaced dots. These four dots will mark the inner and outer corners of each eye. Remember that there is one eye length in between the two eyes. It is imperative that the dots are evenly spaced. You will also need two bigger dots to mark the center of each eye.
Step 2: Now add a rectangular shape. The rectangle should be taller than it is wide. The corners of the rectangle should line up with the two dots that mark the center of each eye.
Step 3: Add the ears and eyebrows. The ears most often line up with the top of the eye and the bottom of the nose.
Step 4: Add the eye shape. Generalized eyes are almond shaped. You will see the bottom of the iris but not the top. Most eyes also have a second line for the eyelid above the eye.
Step 5: Add the nose. Notice that I did not add lines for the bridge of the nose. The only lines that exist on a nose are towards the bottom.
Step 6: Add the lips. Generally, the top lip is M shaped and smaller than the bottom one, which is bowl shaped. When the face is calm, the corners of the mouth usually does not line up with the middle of the eye.
Step 7: Add hair. Be creative.In this experiment, I have taken the most common formulas for facial proportion and tested them on a group of people in a similar pose. I used a computer program to help me take accurate measurements. I made sure that my control group was comprised of both males and females and were of many different races.
So lets get started with a very common proportion rule. The question is- Is it one eye length between each eye? The answer, as you can see, is yes. But this was the only rule that I found to be universally correct.
Lets stick with the eyes for question 2. It is often stated that it is five eye lengths across the face. It turns out that for 9 of the 10 people that I tested, that rule is incorrect. I found that if you included the width of the ear on to the face, then that rule would be closer to true, but definitely not universal. Of the control group, only one person, had a fit, so we can conclude that this proportion does exist, but it does not fit the majority of people and thus, shouldn't be part of a drawing formula.
I recently saw on the internet that the outer corners of the nose, should line up with the inner corners of the eye. Only one of 10 people that I tested proved that proportion to be true. There were also two people who came close. Once again, we can conclude that this proportion does exist, but it does not fit the majority of people and thus, shouldn't be part of a drawing formula. Most often, the outer nose lined up where the tear ducts met the white of the eye. For the record, I hope that the lady in the bottom left never catches a cold.
Question four asks: Does the pupil and iris line up with the corners of the mouth when the face is calm? I will warn you that this was the most difficult to answer, because the mouth is the most variable feature of the face. The shape slightly differs from person to person and it moves a lot. I found that only two people had eyes and mouths which lined up, but, everybody except the gentleman on the top left was extremely close. So, despite the results, I would include this measurement for a general face proportion formula, but I would also be sure to observe the person who I am drawing to get my answer. It is also important to note that 8 of the 10 peoples mouths fit between the lines drawn down from the middle of each eye.
Since question five is related to the placement of the ears, I changed a few of the photos in the control group. In order to gauge this, I had to be able to see the ears clearly. Most portrait formulas state that the ears go from the top of the eye to the bottom of the nose. This turned out to be a pretty accurate statement. Question six is directly related to question five and asks whether the nose and the ears are generally the same size. Although there were only two exact measurements, every other person was very close in measurement. So we can conclude that it is Accurate to say that the ear generally
This video will teach you how to draw a cat step by step, and then paint it. This video was made for aspiring artists who are new to drawing and painting. Just follow my steps and you should surprise yourself.
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Two people inspired me to create this portrait. Nelson Mandela, the first democratically elected president of South Africa is obviously one. The other is an artist named Igor Kazarin who has a popular art channel on youtube called portraitdrawing. I wanted to try his amazing Dry Brush Technique which combines oil paint, watercolor paper and a kneaded eraser. I added my own touch to this portrait by finishing it with a prismacolor pencil. -Merrill Kazanjian
If you want to try Dry Brush Technique, you will need:
- Watercolor paper (At least 150 LBS)
- Oil Paint (I am using Lamp Black.....this technique works in with color too)
- Kneaded Eraser
- I also used Prismacolor Color Pencils at the end (optional)
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Step by Step drawing instruction. Learn to draw John Lennon from the Beatles.
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The Long and Winding Road of YouTube searches has brought you here and today, YOU are going to draw an excellent portrait of John Lennon with a little help from your friend Merrill of course. Under ideal circumstances I would want to hold your hand to directly assist you with this portrait; but since im a real Nowhere Man; your high speed internet connection and this step by step tutorial will have to do.
But Rest assured,we can work it out since this video is available to you on YouTube eight days a week! All that You will need ......Is Love, a pencil and workable listening skills. Ill take care of the rest. I recommend that you pause the video at the end of each step and hit the link in the video description to go to my cheat sheet for this video. It will definitely help you. Lets get started
Step 1: Draw the three shapes that you see. Notice that the three shapes resemble a childs drawing of a car.
Step 2: Make the two crescent moon shapes that I just added.
Step 3: Make the nose shape. Notice that the length of the nose is equal with the height of the forehead. Here is a close up
Step 4: Make the moustache and the mouth.
Step 5: Add the details that I just added to the eyes. Be sure to notice their placement within the frames of the glasses. Here is a close up.
Step 6: Observe and add the outline of John Lennon's face. Stop at the chin.
Step 7: Add the other side of John Lennon's face and then add the "P" shape.
Step 8: Add John's hair. But dont stress out if it's not perfect. Just let it be.
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Search the internet or your library for information on the proportions of the human face. You will find a ton of information, but each source seems to say something different. This is video 1 in a series of videos which will make you less confused about the proportions of the human face. You will be less confused, because I will give you proof that a lot of the formulas that you learned for portrait drawing were wrong. At the end of this video, I will give you a new formula to help you draw the human face from memory.
In this experiment, I have taken the most common formulas for facial proportion and tested them on a group of people in a similar pose. I used a computer program to help me take accurate measurements. I made sure that my control group was comprised of both males and females and were of many different races.
So lets get started with a very common proportion rule. The question is- Is it one eye length between each eye? The answer, as you can see, is yes. But this was the only rule that I found to be universally correct.
Lets stick with the eyes for question 2. It is often stated that it is five eye lengths across the face. It turns out that for 9 of the 10 people that I tested, that rule is incorrect. I found that if you included the width of the ear on to the face, then that rule would be closer to true, but definitely not universal. Of the control group, only one person, had a fit, so we can conclude that this proportion does exist, but it does not fit the majority of people and thus, shouldn't be part of a drawing formula.
I recently saw on the internet that the outer corners of the nose, should line up with the inner corners of the eye. Only one of 10 people that I tested proved that proportion to be true. There were also two people who came close. Once again, we can conclude that this proportion does exist, but it does not fit the majority of people and thus, shouldn't be part of a drawing formula. Most often, the outer nose lined up where the tear ducts met the white of the eye. For the record, I hope that the lady in the bottom left never catches a cold.
Question four asks: Does the pupil and iris line up with the corners of the mouth when the face is calm? I will warn you that this was the most difficult to answer, because the mouth is the most variable feature of the face. The shape slightly differs from person to person and it moves a lot. I found that only two people had eyes and mouths which lined up, but, everybody except the gentleman on the top left was extremely close. So, despite the results, I would include this measurement for a general face proportion formula, but I would also be sure to observe the person who I am drawing to get my answer. It is also important to note that 8 of the 10 peoples mouths fit between the lines drawn down from the middle of each eye.
Since question five is related to the placement of the ears, I changed a few of the photos in the control group. In order to gauge this, I had to be able to see the ears clearly. Most portrait formulas state that the ears go from the top of the eye to the bottom of the nose. This turned out to be a pretty accurate statement. Question six is directly related to question five and asks whether the nose and the ears are generally the same size. Although there were only two exact measurements, every other person was very close in measurement. So we can conclude that it is Accurate to say that the ear generally goes between the upper eye and the bottom of the nose and is very close in height to the nose.
Now lets test the most common and controversial face proportion question.....Are the eyes at the exact half way point of the head? You will find top results on the search engines stating that this is the case. I once had a teacher who insisted this and took off points on any student who disagreed with him.....If he only did his homework! The eyes are NOT at the center of the head. The actual middle of the head is just below the orbits of each eye. There was only one person whose eyes were measured as the center of their head, and of course it was MacAulay Culkin.
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Today's video is 「Very Easy ! How to draw turn word ANGEL step by step into a Cartoon - Learning Cute transformation doodle trick art on paper for beginners」
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Today's video is 「Very Easy ! How to draw turn word ZELDA(The Legend of Zelda: Breath of the Wild) step by step into a Cartoon - Learning Cute transformation doodle trick art on paper for beginners - turning words into pictures」
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Today's video is 「Very Easy ! How to draw turn word Cyborg(Teen Titans Go!)step by step into a Cartoon - Learning Cute transformation doodle trick art on paper for beginners - turning words into pictures」
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Today's video is 「How to turn words GACHA LIFE into a Cartoon - How to draw gacha life characters on paper step by step.」
Gacha life is popular mini game.
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Today's video is 「Very Easy ! How to draw turn word Fingerlings(fingerlings baby monkeys from WowWee) step by step into a Cartoon - Learning Cute transformation doodle trick art on paper for beginners - turning words into pictures」
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Today's video is 「Very Easy ! How to draw turn word CHIPS(Potato Chips)step by step into a Cartoon - Learning Cute transformation doodle trick art on paper for beginners - turning words into pictures」
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Today's video is 「How to turn words YORKIE(Yorkshire terrier|dog)into a Cartoon for family - How to draw doodle art on paper step by step.」
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